Renée Green

 


 

 




BIOGRAPHY


geboren / born 1959 in Cleveland, Ohio
lebt / lives in New York und / and San Francisco.

 

Whitney Independent Study Program, 1989-90.
Radcliffe Publishing Procedures Course, Harvard University, 1981.
Wesleyan University, B.A., 1981.
Parsons School of Design, 1982 and 1984.
School of Visual Arts 1979-80.

 

Einzelausstellungen (Auswahl) / Selected Solo Exhibitions

 

2012
Liam Gillick / Renée Green / Heimo Zobernig – Screens, Galerie Meyer Kainer, Vienna.

 

2011
Sigetics 2, Espaivisor – Galería Visor, Valencia.
Sigetics, Elizabeth Dee Gallery, New York, NY.

 

2010
Endless Dreams and Time- Based Streams, Yerba Buena Center for the Arts, San Francisco.

 

2009
Renée Green. Ongoing Becomings Rétrospective 1989-2009, Musée cantonal des beaux-arts, Lausanne.
Endless Dreams and Water Between, National Martime Museum, Greenwich, London.

 

2008
Le reve de l'artiste et du spectateur, Jeu de Paume, Paris.

 

2007
United Space of Conditioned Becoming, Galerie Christian Nagel, Berlin.

 

2006/07
Wavelinks, Neuberger Museum of Art, Purchase College, New York.

 

2006
Survey, caltrans headquarters, Los Angeles. Unité d'habitation, Galerie Martine Aboucaya, Paris.

 

2005
Index (From Oblivion): Paradoxes and Climates, Einstein Spaces, Berlin.
Index (From Oblivion), Galleria Emi Fontana, Mailand.
Der soziographische Blick 7. Renée Green, Relay, Kunstraum Innsbruck.
Sound Politics, with Mayo Thompson and Ultra-Red, Baltimore Museum ofArt, Baltimore.

 

2004
Elsewhere? Here, Galeria Filomena Soares, Lissabon. Wavelinks, Contemporary Arts Center, Cinncinati, Ohio.

 

2002
Phases + Versions, Portikus, Frankfurt.

 

2000
Shadows and Signals, Fundació Antonio Tàpies, Barcelona.
Other Planes of There, Pat Hearn Gallery, New York.
Platform: Ongoing Conversations and Work, The Swiss Institute, New York.
Returns:Tracing Lusitania, Centro Cultural de Belem, Lissabon.

 

1999
Between and Including, Secession, Wien.
Making History, Renée Green and Sam Durant, Bard College, Center for Curatorial Studies.
Project Wall, Rosamund Felsen Gallery, Los Angeles.

 

1998
Some Chance Operations, Emi Fontana Gallery, Mailand.

 

1997
The Digital Import/Export Funk Office, Kunstverein Kreis Gütersloh.

 

1996
Certain Miscellanies, Stichting de Appel, Amsterdam.
Flow, FRI-ART Centre d'Art Contemporain Kunsthalle, Fribourg, (CH).
Partially Buried, Pat Hearn Gallery, New York.
übertragen/Transfer, Galerie Christian Nagel, Köln.
The Digital Import/Export Funk Office, Kunstraum, Universität Lüneburg.

 

1995
miscellaneous, DAAD Galerie, Berlin.
miscellaneous continued, Neuger/Riemschneider Galerie, Berlin.

 

1994
Taste Venue, Pat Hearn Gallery, New York.
;Quest, Emi Fontana Galerie, Mailand.

 

1993
World Tour, Museum of Contemporary Art, Los Angeles, travelling exhibition to Dallas Museum.

 

1992
Import/Export Funk Office, Galerie Christian Nagel, Köln.

 

1991
VistaVision: Landscape of Desire, Pat Hearn Gallery, New York.
Bequest, Worcester Art Museum, Worcester, MA.

 

1990
Anatomies of Escape, Institute of Contemporary Art, The Clocktower Gallery, New York.

 

Gruppenausstellungen / Group Exhibitions / Festivals & Screenings

 

 

2010
Bilder in Bewegung. Künstler & Video / Film, Museum Ludwig, Köln.

 

2009
Geschichte/n verwahren, IG Bildende Kunst, Wien.
Schere-Stein-Papier. Pop Musik als Gegenstand Bildender Kunst, Kunsthaus Graz, Graz.
Regift, Swiss Institut-Comtemporary Art, New York.

 

2008
Manifesta 7 Trentino – Alto Adige 2008, International Foundation Manifesta, Südtirol.
e-flux – VIDEO RENTAL, CAMJAP, Centro de Arte Moderna José de Azeredo Perdigão Fundação Calouste Gulbenkian, Lissabon.

 

2007
Simply Red, FWM – The Fabric Workshop and Museum, Philadelphia.
Elsewhere? Video works by Monica Bonvicini, Lovett/Codagnone, Renée Green, Liliana Moro, Diana Thater, Gillian Wearing, Galleria Emi Fontana, Milan.
10. Istanbul Biennial, Istanbul.

 

2006
10 ans d'acquisitions de dons et de legs, 1996-2006., Musée cantonal des Beaux-Arts, Lausanne.
The Unhomely: Phantoms Scenes in Global Society. 2nd International Biennial of Contemporary Art of Seville. Sevilla, Spain.

 

2005
Artist's Books, Revisited., Art Metropol, Canada; Printed Matter, New York.
Double Consciousness: Black Conceptuel Art Since 1970., Contemporary Arts Museum, Houston.
Transformer 1, Fluc im Exile, Vienna.

 

2004
La fin du XVIIIe siècle et aujourd'hui, L'ancien Musée de peinture de Grenoble (organisiert vom Magasin), Grenoble.
Mobilen Movables, Galerie im Taxispalais, Innsbruck.
jpeg.bild.ton.maschine. Schnittstelle von bildender Kunst und Musik, Künstlerhaus Bethanien, Berlin.
Renée Green: Wavelinks., Arsenal, Berlin (screening).
Social Capital., Whitney Museum of American Art, Independent Study Program Exhibition; Art Gallery of the Cuny Graduate Center, New York.
Sound Forest Folly, Lustwarande 04: Disorientation by Beauty, Tilburg.
Born to Be a Star, Künstlerhaus Wien.
On the Wall: Contemporary Wallpaper., Museum of Art, Rhode Island School of Design, Providence.

 

2003
Conceptualisms. Zeitgenössische Tendenzen in Musik, Kunst und Film. Aufführungen, Ausstellung, Lectures und Filmprogramm, Akademie der Künste, Berlin.
What Lies Between: The Autobiographical Impulse in Film and Video, UCLA Hammer Museum, Los Angeles (Screening).
Tuscia Electa: Arte Contemporanea nel Chianti, Turin.
Attack! Kunst und Krieg in den Zeiten der Medien, Kunsthalle Wien.
Strangers: The First ICP Triennial of Photography and Video., International Center of Photography, New York.

 

2002
Documenta XI, Kassel.
Stories, Haus der Kunst, München.
Global Complex, OK Centrum für GegenwartKunst Oberösterreich, Linz.
Museum unserer Wünsche/Museum of our Wishes, Museum Ludwig, Köln.
Sonic Process, MACBA, Barcelona Centre Georges Pompidou, Paris.

 

2001
Take Two, The Ottawa Art Gallery, Canada.
Ausgeträumt..., Secession, Wien.
Love Supreme, La Criée Centre d'Art Contemporain, Rennes.
Berlin Biennale, Kunstwerke, Berlin.
Public Offerings, MOCA, Los Angeles.
Memorial Exhibition, Pat Hearn Gallery, New York.
One Planet, Bronx Museum of Art, New York.

 

2000
Voilà!: Le Monde dans la tete, Musée de la Ville de Paris.
History and Memory, Historisches Museum and Schirn Kunsthalle, Frankfurt.

 

1999
Ruins in Reverse, CEPA Gallery, Buffalo, NY.
The Comfort Zone, The Public Art Fund, New York.
Graf, Green, Kogler, Schlegel, Schmalix, Williams, Museum of Contemporary Art, Brno, Czech Republic.
Studio One, Clocktower Gallery, New York (screening).
The Stockholm Syndrome, CD-ROM exhibition scripted and designed by Måns Wrange, Igor Isaksson,Ilkka Isaksson, in partnership with Stockholm-Cultural Capital of Europe 1998.
Architecture of Resistance, International Center for Urban Ecology, (screening).
Persuasion, Lombard/Freid Fine Arts, New York.
Pat Hearn Gallery Summer Show, New York.
Elsewhere 3, Glassbox, Paris (screening).
Harn Museum of Art, screening series, Gainesville, Florida.
Art-Worlds in Dialogue, Museum Ludwig, Köln.

 

1998
The Cultured Tourist, Leslie Tonkonow Artworks & Projects, New York.
Anticipation, Version 4, Centre pour l'Image Contemporaine, Genève.
Sharawadgi, Felsenvilla, Baden.
All Over the Map, L.A. Freewaves 6th Celebration of Independent Video & New Media, Los Angeles.
44th International Short Film Festival, Oberhausen.
The Style Engine, Pitti Immagine, Florenz.
Graf, Green, Kogler, Schlegel, Schmalix, Williams, Kunsthalle Krems, Krems.
Artist/Author: Contemporary Artist's Books, Museum of Contemporary Art, Chicago (travelling exhibition)
Performance Anxiety, La Jolla Museum, CA and Site Sante Fe, New Mexico.
Changing Spaces, The Power Plant, Toronto, Vancouver Art Gallery, Vancouver.

 

1997
Robert Flaherty Film Seminar, Ithica, NY.
Performance Anxiety, Museum of Contemporary Art, Chicago.
Letter & Event, Apex Art, C.P., New York.
Critical Images: Conceptual Works from the 1960s to the present, Leslie Tonkonow Artworks & Projects, New York.
Home Sweet Home: Einrichtungen/Interieurs, Deichtorhallen Hamburg.
Changing Spaces, (traveling exhibition), Projects from the Fabric Workshop and Museum, Philadelphia City Gallery at Chastain, Atlanta.
Kwangju Biennale, Korea, (Sept.-Oct.), Partially Buried (in Three Parts), Johannesburg Biennale, South Africa (Oct.-Nov.), Tracing Lusitania: Excerpts from an Imagined Prototype An Ongoing Project by Renée Green.
Translocations, organized by Displaced Data, London and IRADAC (The Institute for Research on the African Diaspora in the Americas and the Caribbean), City University of New York, New York.
Résonances, ANGI-Galerie ART’O, Paris.

 

1996
Now/Here, Louisiana Museum of Art, Copenhagen.
Nach Weimar, Neues Museum, Weimar.
Embedded Metaphor,1996-99,A traveling exhibition organized by Independent Curators International/Nina Felshin , New York, John and Mable Ringling Museum, Sarasota, FL Western Gallery, Western Washington U., Bellingham, WA Bowdoin College Museum of Art, Brunswick, ME Virginia Beach Center for the Arts, Virginia Beach, VA Ezra and Cecile Zilkha Gallery, Wesleyan U., Middletown, CT Pittsburgh Center for the Arts, Pittsburgh, PA.
A Drift, Bard College, New York.
Handmade Readymades, Bertha and Karl Leubsdorf Gallery, Hunter College, New York.

 

1995
Mirage, Institute of Contemporary Art, London.
Architectures of Display, Architectural League of New York and Minetta Brook, New York.
Das Ende der AvantGarde: Kunst als Dienstleistung, Kunsthalle der Hypo-Kulturstiftung, München.
It's Not A Picture, Galleria Emi Fontana, Mailand.
Video: l'immagine e l'ogetto. Artisti degli Stati Uniti/Video: The Image and the Object. Artist from the U.S., Museo Laboratorio de Arte Contemporanea, Rom.
Wallpaper Works, Contemporary Arts Museum Houston.

 

1994
Installation: Selections from the Permanent Collection, Museum of Contemporary Art, Los Angeles.
Don't Look Now, The Thread-Waxing Space, New York.
Services, Universitat Lüneberg.
Sogetto Sogetto, Castelo di Rivoli, Rivoli.
The Seventh Museum, Stroom, Den Haag.
The Ideal Place, HCAK, Den Haag.
The Body as Measure, Davis Art Museum, Wellesley College, MA.
Temporary Translations, Deichtorhallen, Hamburg.
The Cooked and the Raw, Museo Reina Sofia, Madrid.
Sommerakademie München – Eine Freie Akademie auf Zeit, Kunstverein München, München.
Kontext Kunst/Context Art, Neue Galerie am Landesmuseum Johanneum, Graz.
Mapping, American Fine Arts, New York.

 

1993
Whitney Museum of American Art Biennial, New York.
Aperto, Venice Biennale, Venedig.
Project Unité, Firminy, Frankreich.
Just what is it that makes today's homes so different so ppealing?, Galerie Jennifer Flay, Paris.
Fontanelle: Kunst in (x) Zwischenfallen, Potsdam.
On taking a normal situation..., Museum van Hedendaagse Kunst, Antwerpen (MUHKA), Antwerpen.
What Happened to the Institutional Critique,? American Fine Arts, New York.
Peccato di Novita, Galerie Emi Fontana, Mailand.
Die Arena des Privaten, Kunstverein München, München.
Theater of Refusal: Black Art and Mainstream Criticism, Fine Arts Gallery, University of California, Irvine.

 

1992
True Stories, Institute of Contemporary Art, London.
Dirty Data, Sammlung Schürmann 1992, Ludwig Forum for International Art, Aachen.
Multiple Cultures, Convent of San Egidio, Rom.
Inheritance, LACE, Los Angeles.
Wohnzimmer/Buro, Galerie Christian Nagel, Köln.
Mary Kelly/Renee Green, Herbert F. Johnson Museum of Art, Cornell University, Ithica, New York.
Speak, Randolph Street Gallery, Chicago.
Huitiemes Ateliers Internationaux Pays de Loire, F.R.A.C., Clisson, Frankreich.
Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, Vermont.
Travel Documents, San Francisco Cameraworks.
Informationsdienst, Kubinski Galerie, Köln.
More Books as Art, Hecksher Museum, Huntington, NY.

 

1991
Lost Illusions: Recent Landscape Art, Vancouver Art Gallery, Canada.
Arte Joven en Nueva York, Sala Mendoza, Caracas, Venezuela.
Natural History, Barbara Farber Gallery, Amsterdam.
New Generations: New York, Carnegie Mellon Art Gallery, Pittsburg.
SiteSeeing: Travel & Tourism in Contemporary Art, Whitney Museum of American Art, New York.
Color Theory, Amelie A. Wallace Gallery, SUNY at Old Westbury, NY.

 

1990
Out of Site, P.S.1 Museum/Institute of Contemporary Art Long Island City, New York.
The Construction of Knowledge, Diane Brown Gallery, New York.
Nicole Klagsbrun Gallery, New York.
Social Studies: 4 + 4 Young Americans, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio.
Selections: Aljira & Artists Space, Artists Space, New York.
Expense Account: Figuring the Damage, University of Rochester, Rochester, New York.

 

1989
From the Studio: Artists in Residence, 1988-89, The Studio Museum in Harlem, New York

 

Filme / Films

 

Forces of Circumstance, Kölnischer Kunstverein, Köln, 2002.
Shadows and Signals, Cine Ambigu-Apolo, Barcelona, 2000.
Between and Including, Filmhaus Spittelberggasse, Wien, 1999.
Some Chance Operations, Galleria Emi Fontana, Mailand, 1998.
Flow, Fri-Art, Fribourg, 1996.
Tracing Lusitania: A Prototype, 1991-97. Presented as a model with Paixao Nacional, by Karim Aïnouz as a sample selection, Vienna Secession, 1999.
VistaVision: Landscape of Desire, Pat Hearn Gallery, New York, 1991.

 

Schriften / Writings

 

Veröffentlichungen (Auswahl) / Publications (Selection)

 

2006
"Place", in: Sarai Reader 06. Turbulence, New Delhi: The Sarai Programme, CSDS, 2006.
"Relay", in: The Sociological View, Innsbruck: Kunstraum Innsbruck, 2006.
"Beyond", in: Institutional Critique and After, Zürich: JRP/Ringer Kunstverlag, 2006
"States of Exception", in: MFA Graduate Exhibition Catalogue 2006, San Francisco: San Francisco Art Institute, 2006.

 

2005
"Index (Aus dem Vergessen): Paradoxe und Klimata." In: Einstein Spaces. Yvonne Leonard, ed. Berlin: Einstein Forum, 2005.

 

2004
"Other Planes of There," Yard (Los Angeles), vol.1, no.1 (Fall 2004): 54-61.
"NO Guru, NO Method, No Master: zur Methode und Zukunft der Lehre", Texte zur Kunst (Köln) no.53 (März 2004): 140-143.
"Künstlerische Praxis als Dispositive: Katharina Schlieben und Sonke Gau im Gespräch mit Renée Green" ITH: das Magazin für des Instituts für Theorie der Gestaltung und Kunst (Zürich), Nr. 31 (Juni 2004): 61-69.

 

2003
"Negotiations in the Contact Zone / Negociaçôes na zona contacto", Renée Green, editor, Lisboa: Assirio & Alvim, 2003.

 

2002
"Obsolescence = Mutation Unrealized?", Oktover (New York), Nr. 100 (Spring 2002): 76-77
"Survival: Ruminations on Archival Lacunae. Adaptations, Re-readings and New Readings. Intoduction to the Following Accretive Process.", in: Interarchive: Archival Practices and Sites in the Contemporary Art Field. Beatrice von Bismarck, ed. Lüneburg: Kunstraum der Universität Lüneburg; Köln: Walther König, 2002.
"Slippages", in: Radiotemporaire". Grenoble: Magasin, 2002
"Introductory Notes of a Reader and 'A Contemporary Moment`", in: From Work to Text: Dialogues on Practise and Criticism in Contemporary Art. Jürgen Bock, ed. Lissabon: Centro Cultural de Belém, 2002.
"Returns: Tracing Lusitatia. Questions from Elvan Zabunyan which Stimulated Responses from Renée Green.", in: From Work to Text: Dialogues on Practise and Criticism in Contemporary Art, Jürgen Bock, ed. Lissabon: Centro Culturel de Belém, 2002.
"Raum für Notizen: ein Tagebuch zur Documenta 11", Texte zur Kunst (Köln), Nummer 47 (September 2002): 70-77

 

2001
"Between and Including", with contributions from Giuliana Bruno, Michael Eng, Renée Green, Lynne Tillman, Joe Wood, Wien Secession, Wien, 2001
"Nachwort/Brief: (Situationist Text)", in: Situationistinnen und andere...", Berlin: b_books, 2001
"Un moment contemporain: penser les recontres artistiques", multitudes (Paris), Nummer 4 (März 2001): 65-73
"Some Conditions for Independent Study: The Whitney Program as a Thought Oasis or Weathered Bastion", in:Education, Information, Entertainement, Ute Meta Bauer, ed. Wien: Selene; Institut für Gegenwartskunst, 2001

 

2000
"Notes on Humanist and Ecological Republic" and "Lac Mantasoa": Florian Pumhösl, Wien Secession, in: Texte zur Kunst, September, 2000.
"Shadows and Signals", texts by Alexander Alberro, Nora Alter, Renée Green, Fundació Antoni Tàpies, Barcelona, 2000.
"Scenes from a Group Show: Project Unité", in: Site-Specificity: The Ethnographic Turn. Alex Coles, ed. London: Black Dog, 2000.

 

1999
"Zwischen Zeilen und Orten", Springerin (Wien), Nr. 1, 1999.
Translocations Issue, in: Springerin, 1999.
"In is Out, Out is In, Get It?" in: Glamorama, Spex, 1999.

 

1998
"Compared to What?: Blues Legacies and Black Feminism by Angela Davis," in: Spex, November 1998.
"Affection Afflictions: My Alien, My Self/More "Reading at Work," Loving the Alien: Science Fiction, Diaspora and Multikultur, ed. Diedrich Diedrichsen, ID Archiv, Berlin, 1998.
"Site-Specificity Unbound: Considering "Participatory Mobility," in: Springerin, March/April 1998.
"Artist/Author: Contemporary Artist's Books", Cornelia Lauf und Clive Philpot eds; designed as artist's book by Renée Green, American Federation of the Arts, New York, 1998.
"Perplexed", in: Artist/ Author: Contemporary Artist's Books. Cornelia Lauf und Clive Philpot, eds.; New York: American Federation of the Arts, 1998.

 

1997
"Partially Buried," in: October 80, Spring 1997, MIT Press.
"Partially Buried," CD track on Performance Anxiety CD, MCA Chicago, 1997.
"Slippages," Wien Secession, ("Agenda" publication), Wien, 1997, abbreviated version "Der Künstler als Ethnograf?" was published in: Texte zur Kunst, September 1997.

 

1996
"Collecting Well is the Best Revenge: Commemorative Toile Fabric, 1995", in: Stud. Juoel Sanders, ed. Princeton: Princeton Architectural Press, 1996.
"Import/ Export Funk Office: Another Work in Progress", in: Games, Fights, Collaborations: Das Spiel von Grenze und überschreitung. Beatrice von Bismarck, Diethelm Stoller und Ulf Wuggenig, ed. Lüneburg: Kunstraum, University Of Lünseburg; Ostfildern: Cantz, 1996.
"Spike Lee's Mix: Calculated Risks and Assorted Reckonings" in: Spex, 1996.
"Notes from a User: 'L'Informe'," in: Texte zur Kunst, September 1996.
"Certain Miscellanies: Some Documents", (book), DAAD(Berlin) and De Appel Foundation (Amsterdam) 1996.
"Flow," a web site made for White Room Productions, NYC and Fri-Art Fribourg, Switzerland at http://www.thing.net/jca beginning March 31, 1996 and continuing. "The Fact of Blackness", ed. Alan Read, ICA London/Bay Press, 1996.
"Stud", ed., Joel Sanders, Princeton Architectural Press, 1996.
"Games, Fights, Collaborations", Kunstraum, Universität Lüneburg, 1996.
"The Digital Import/Export Funk Office", CD-ROM, produziert in Zusammenarbeit mit der Universität Lüneburg, 1996.

 

1995
"Questions of Feminism: 25 Responses,", in: October 71, Winter 1995.
Page Project, in: Blocno tes, Winter 1995, number 8.
"Dropping Science: Art and Technology Revisited", in: Flash Art, November 1995.

 

1994
"On Site Specificity: A Discussion with Hal Foster, Renée Green, Mitchell Kane, Miwon Kwon, John Lindell, Helen Molesworth", in: Documents (New York), Nr. 4-5, 1994. Conversation with Diedrich Diedrichsen, "Yo Hermeneutics” (Buch), ed. Diedrichsen, D., 1994
"Eighteen Aphoristic Statements," in: Vor der Information, Wien, 1994.
"Collectors, Creators, Shoppers," in: Frieze, Fall 1994.
Page Project, in: Metropolis M, Amsterdam, October 1994.
"After the Ten Thousand Things" (Buch), Stroom, The Hague, 1994.
"Camino Road" (Buch), Museo Reina Sofia, Madrid, 1994.

 

1993
"WORLD TOUR", (catalogue) Museum of ContemporaryArt, Los Angeles, 1993.
"Inventory of Clues," (catalogue), "Taking a Normal Situation...," MUHKA, Antwerp, 1993.
"The Beat Goes On," (Vortrag) Museum für Angewandte Kunst, Wien, 1993.

 

1992
"Der Offentliche Blick," Artists Pages, Jahresring #38, 1992.
"Black Popular Culture?," in: Texte zur Kunst, Winter 1992 and in: Art and Text, Summer 1992.
"Open Letter #1: On Influence," in: Texte zur Kunst, Fall 1992.
"Sites of Criticism Symposium: Practices," in ACME Journal, Vol. 1 No.2,1992.

 

1991
"Trading on the Margin," in: Transition: An Review #52, 1991 pp.124-32, Oxford University Press.
"Democracy in Question," in: Transition: An International Review, #53, 1991, pp.163-167.
"Sites of Genealogy" and "I Won't Play Other to Same," in: Texte zur Kunst, Summer 1991.
"Cold Sweat," ("Kalter Schweiß"), in: Texte zur Kunst, Fall 1991.

 

1990
"I Won't Play Other to Your Same," in: Meaning 7, May 1990, pp. 15-16.
"What's Painting Got To Do With It?: Art in the Age of Post-Mechanical Production," in: Post-Boys and Girls: Nine Painters, Artists Space, New York, 1990.

 

1989
"No Title: The Collection of Sol LeWitt", ed., John Paoletti, Wesleyan University/ Wadsworth Atheneum, Hartford, Connecticut, 1981.

 

Tagungen & Vorträge (Auswahl)/ Symposia & Speeches (Selection)

 

2006
"Sonic.Focus", Brown University, Providence. Lecture
"States of Exception", San Fransisco Art Institute. Dean of Graduate Studies, Inaugural lecture.
Visual Culture Caucus Panel, College Art Assiciation, Boston.
"Index of Oblivion: Public/Private Climates+Paradoxes", Works in Progress Series, Getty Research Institute, Los Angeles.
Jeu de Paume, Paris. Lecture.

 

2005
Baltimore Museum of Art. "Institute Silence." Panelist.
J. Paul Getty Museum. "Performance and the Re-Do". Pnael discussion in the Workshop on Performance and the Visual Arts, organized by Peggy Phelan. Panelist.
Los Angeles County Museum of Art. "Institutional Critique and After." Moderator.
University of California, Los Angeles. MFA Graduate Program, Los Angeles. Lecture.

 

2004
Haus der Kulturen der Welt, Berlin. Panel discussion
Los Angeles Contemporary Exhibition. "Looking Oureselves in the Mouth: Conversations with Yvonne Rainer." Colloquium participant
University of California Santa Barbara. Afrogeeks: From Technophobia to Technophilia. Screening: Wavelinks: A different Reality.
University of California, Irvine. Department of Art Studio. MFA Graduate Program, Irvine. Lecture.

 

2003
Victoria Miro Gallery, Goldsmiths College, London. "Field Work: Reports From The Fields of Visual Culture". Lecture
Santa Barbara Museum of Art, Panel with Okwui Enwezor, Dick Hebdige u.a.
Columbia University, New York. Lecture.
Art Institute of Chicago. Lecture.
Northwestern University, Evanston. Lecture.
Milwaukee Art Museum and Center for 21st Century Studies. Museums Difference. Lecture and video presentation

 

2002
Staatliche Hochschule für Bildende Künste, Städelschule Frankfurt. Lecture.
Drawing Center, New York. Drawning (as) Center.

 

2001
"Contemporary Moments," Symposium, Centro Cultural de Belem, Lissabon.

 

2000
"Contemporary Returns to Conceptual Art," Renée Green, Silvia Kolbowski, and Stephen Prina, organized by Simon Leung, New York University.

 

1999
"Translocations," symposium participant, in Vienna (Generali Foundation) and in Prague (Academyof Fine Arts).
Regent's Lecturer, UCLA, Los Angeles, participant in "Image Trauma" symposium.
College Art Association, "Who Choses?", Lydia Yee, moderator, Los Angeles
Tate Gallery of Art, London, "Museums of Modern Art and the End of History" symposium.
Radio Temporaire, Genève, via Le Magasin, Centre National d'art Contemporain de Grenoble.
Witte de With & Netherlands Architectur Instituut, Rotterdam, "Changing the System the System?" : Artists Talk About Their Practice

 

1998
"Out of Site" Malmö Kunstakademie, Schweden.
Cal Arts, Valencia, CA, Vortrag.
University of California, San Diego, Vortrag.
Site Santa Fe, New Mexico, Vortrag

 

1997
Booktalk, with Abigail Solomon-Godeau and Martin Jay, San Francisco Museum of Modern Art.
"AGENDA-Perspektiven kritischer Kunst," Wien Secession
"Loving the Alien: Science Fiction, Diaspora, Multikultur," Volksbühne, Berlin.
Emory University, Atlanta, Vortrag.

 

1996 Mixed Up, Tagung, gesponsert vom British Council und Amerikahaus und der Universität zu Köln, Köln.

 

1995
Arte, Identita Confini, Palazzo delle Esposizioni di Roma, Rom (Buch).
Mirage, ICA, London (Buch).
New York University, Linda Nochlin seminar, Vortrag.
Yale University, Vortrag.
Kunstwerke, Vortrag, Berlin.
"Social Plastic," Royal Danish Academy, symposium, Kopenhagen.

 

1994
SommerAkademie, Kunstverein München, München.
"Negotiations in the 'Contact Zone'," Drawing Center, New York, (ein Symposium organisiert und moderiert von Renée Green) (Buch).
Wellesley College, Vortrag.

 

1993
Hochschule der Kunst, Berlin.
University of Lüneburg.
University of California, Irvine.
Museum of Contemporary Art, Los Angeles.
Wien Secession.

 

1992
Hochschule für Angewandte Kunst, Wien.
Goldsmiths College, London.
Institute of Contemporary Art, London.filme

 

1991
Hotel des Rothschilds, Paris.
Worcester Museum of Art, Worcester, Massachusetts.
Rutgers University.
Society for Photographic Research Conference, New Orleans.

 

1990
National Women's Studies "Contemporary Returns to Conceptual Art," Renée Green, Silvia Kolbowski, and Stephen Prina, organized by Simon Leung, New York University.Conference, Akron University.
Berkeley Women's History Conference, Rutgers University.
Museum of Modern Art, NYC.

 

Lehrtätigkeit / Teaching Positions

 

Dean of Graduate Studies, San Francisco Art Institue, 2005 –
Distinguished Artist/ Professor. Art Department, University of California, Santa Barbara, 2002-2005
Yale University, Gast der Fakultät, Herbst 1998.
Akademie der Bildenden Künste, Wien, Professur, 1997 – gegenwärtig.
Whitney Independent Study Program, director of studio program, 1996 to 1997.
Vermont College, 1995-96, Fakultätsmitglied.
Universität Lüneberg, 1994 – gegenwärtig, Gast- Künstlerin, fortlaufendes Computer-/Informatik-Projekt, Abteilung für Kunstgeschichte und Soziologie.
Hochschule der Kunst (HDK) Berlin, Freie Klasse, Gastprofessur 1993-94.
Hochschule für Angewandte Kunst, Wien, Gastprofessur 1992-93.
Whitney Museum of American Art Independent Studies Program, Gast der Fakultät, 1991 – gegenwärtig.
Bank Street College, Professur, Medienkritik, 1990-91.
New Museum of Contemporary Art, Professur, High School Art Criticism Program, 1989-91.

 

Kommissionen / Commissions

 

"Code: Survey". Permanent public work located at the Caltrans Headquarter, Los Angeles/ Morphosis, Thom Mayne, 2004.
American Federation of the Arts and D.A.P./Distributed Art Publishers Inc., New York, 1995-97, commissioned to design "Artist/Author: Contemporary Artists’ Books as my own artists’ book," eds. Cornelia Lauf and Clive Philpot, publication date: 1998.
Architectural League of New York, "Architectures of Display," with Laura Kurgan, 1995.
Stroom, "The Seventh Museum," Den Haag, 1994.
Worcester Museum of Art, Worcester, MA, 1991.
FRAC Pays de Loire, Clisson, France, 1991.

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