Liam Gillick

Biography

Born 1964 in Aylesbury, UK
Lives and works in London and New York

1983⁠—1984 Hertfordshire College of Art
1984⁠—1987 Goldsmiths College, University of London, B.A. (Hons.)

 

Solo Exhibitions (Selected)

2024
KIN, Brussels (upcoming)

2023
The Alterants, Gallery Baton, Seoul
Mountains? What Mountains?, MEYER*KAINER, Vienna
Filtered Time, Pergamonmuseum, Near Eastern Museum, Berlin

2022
A Variability Quantifier (The Fogo Island Red Weather Station), Fogo Island Arts/National Gallery of Canada, Canada
Natasha., 7th Singapore Biennial, Singapore

2018
There Should be Fresh Springs…, Gallery Baton, Seoul
Liam Gillick Adam Pendleton Adam Pendleton Liam Gillick, Eva Presenhuber, New York
A Depicted Horse is not a Critique of a Horse, Kerlin Gallery, Dublin

2017
Extended Soundtrack for a Lost Production Line: Ton und Film, Eva Presenhuber, Zurich
Were People This Dumb Before TV? Grafische Arbeit 1990-2016, Esther Schipper, Berlin
The Lights are No Brighter at the Centre, CAC Vilnius

2016
What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin
Campaign, Serralves Museum of Contemporary Art, Porto
Phantom Structures, Casey Kaplan, New York
The Red Wood Pigeon Meets Some Meetings, Air de Paris
Stardust Expressions, Taro Nasu, Tokyo

2015
Liam Gillick 1 Rue Gabriel Tarde, Sarlat-La-Canda, Dordogne, Galerie Micheline Szwajcer, Brussels
All-Intimate-Act, Stdelijk Museum and Holland Festival, Amsterdam
Alfonso Artiaco, Napoli
Liam Gillick, Australian Fine Arts, Brisbane
Liam Gillick: The Thought Style Meets the Thought Collecitve, Maureen Paley, London

2014
From 199C to 199D, Magasin Centre national d’art contemporaine, Grenoble
Revenons à nos moutons, Esther Schipper, Berlin
Complete Bin Development, Hans Mayer, Düsseldorf

2013
Five Structures and a Shanty, Gallery IHN, Seoul
For the doors that are welded shut, Kerlin Gallery, Dublin

2012
Scorpion or Felix, Galerie Eva Presenhuber, Zurich
Agreements, McNamara and Lead Times, Taro Nasu, Tokyo
Scorpion and und et Felix, Casey Kaplan, New York
From 199A to 199B:Liam Gillick, Hessel Museum of Art, Bard College, New York
Margin Time, Maureen Paley, London
Four Propositions Six Structures, Alfonso Artiaco, Napoli

2011
A game of war Structure, IMMA, Dublin
Sit in the machine, Air de Paris, Paris
Sit on the machine, Micheline Szwajcer, Antwerp

2010
Everything Good Goes, Galerie Meyer Kainer, Vienna
Discussion Bench Platforms/A‚ Volvo’ Bar+ Everthing Good Goes, Casey Kaplan, New York
Seven Structures and a large vodka soda, Kerlin Gallery, Dublin
Ein langer Spaziergang…Zwei kurze Stege…* (One long walk…two short piers), Kunst- und Ausstellungshalle der Bundesrepublik, Bonn
1848!!!,Esther Schipper, Berlin

2009
How will you behave: A kitchen cat speaks, German Pavillion, Venice Biennale
Three Perspectives and a Short Scenario, Museum of Contemporary Art, Chicago
Executive 2 litre GXL, MAK, Vienna
Wall diagrams from the 1990s and early 2000s, House of Art, Budweis
Two Short Plays, Eastside Projects, Birmingham

2008
Three Perspectives and a Short Scenario, Witte de With, Rotterdam
Three Perspectives and a Short Scenario, Kunsthalle, Zurich
The State Itself Becomes a Super Whatnot, Casey Kaplan, New York
Three Perspectives and a Short Scenario, Kunstverein, Munich

2007
Weekend in So Show, The Lab, Belmar
The commune itself becomes a super state, Corvi–Mora, London
The state/commune itself becomes a super state/commune, Micheline Szwajcer, Antwerp

2006
We are Medi(evil), Angela Bulloch and Liam Gillick, Cubitt, London
Briannnnnn & Ferryyyyyy, Liam Gillick and Philippe Parreno, Kunsthalle Zurich
Literally Based on HZ, Kerlin Gallery, Dublin
The State itself becomes a super commune, Esther Schipper, Berlin

2005
222nd Floor, Eva Presenhuber, Zurich
A short essay on the possibility of an economy of equivalence, Palais de Tokyo, Paris
Another 2004 Again, Baltimore Museum of Art
Presentism, Corvi–Mora, London
Factories in the snow, Meyer Kainer, Vienna
McNamara Motel, CAC Malaga, Spain
A short essay on the possibility of an economy of equivalence, Casa Encendida, Madrid
As you approach the edge of town the lights are no softer than they were in the centre, Casey Kaplan, New York

2004
Construccion de Uno, Javier Lopez, Madrid
A Group of People, Air de Paris, Paris
Liam Gillick, Aspen Art Museum, Aspen
Övningskrning (Driving Practice), Milwaukee Art Museum
Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp

2003
Hills and Trays and…, Schipper & Krome, Berlin
…Punctuated Everydays, Max Hetzler, Berlin
Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, Mexico City
Exterior Days, Casey Kaplan, New York
Communes, Bars and Greenrooms, The Powerplant, Toronto
Projects 79: Literally, Museum of Modern Art, New York
A Film, A Clip and a Documentary, (with Sean Dack), Corvi–Mora, London

2002
The Wood Way, The Whitechapel Gallery, London
Light Technique, Galerie Meyer Kainer, Vienna
Liam Gillick, Rüdiger Schöttle, Munich

2001
Firststepcousinbarprize, Hauser & Wirth & Presenhuber, Zurich
Liam Gillick, Javier Lopez, Madrid
Liam Gillick, Corvi–Mora, London
Annlee You Proposes, Tate Britain, London
Dedalic Convention, Salzburg Kunstverein

2000
Applied Complex Screen, Hayward Gallery, London
Liam Gillick, Galleri Charlotte Lund, Stockholm
Liamm Gilllick, Schipper & Krome, Berlin
Consultation Filter, Westfälischer Kunstverein, Münster
Schmerz in Einem Gebäude, Fig 1, London
Woody, CCA Kitakyshu
Literally No Place, Air de Paris
Renovation Filter, Recent Past and Near Future, Arnolfini, Bristol
Liam Gillick, Casey Kaplan, New York

 

Group Exhibitions (Selected)

2023
A Blank Posters Show, La oficina de la nada (the office of nothingness), Universidad Andrés Bello, Santiago de Chile
14th Shanghai Biennale: Cosmos Cinema, Power Station of Art, Shanghai
TEES 2023, Rogue Project Space, Manchester
Vilnius Biennial of Performance Art 2023, (with Anton Vidokle), Vilnius Brilliant Cut, Gallery Baton, Seoul
ΔΕΚΑ, K-Gold Temporary Gallery, Agia Paraskevi, Greece Teamwork. 30 Years of CGAC, Gaiás Centre Museum, Santiago de Compostela
stick n poke, FOMO, Zurich
Stinking Dawn, Stadtkino im Künstlerhaus, Vienna
Sculpting the Space, Taro Nasu, Tokyo
The Art of Light, Elle Decor, Salone del Mobile, Fiermilano, Milan
Systemic Love, CAPC, Bordeaux
Homo Ludens, Über Das Spiel Der Kunst, Woods Art Institute, Hamburg
Stayin’ alive, BPS22, Charleroi, Belgium
Liam Gillick and Hito Steyer, Prospettive/Perspectives, Ente Turismo Langhe Monferrato Roero, Villa Arson, Fondazione Sandretto Re Rebaudengo, Roddino, Piedmont, Italy
Stinking Dawn, Le Fifa, Montreal
Stinking Dawn, O’Flaherty’s, New York

2022
Australian Fine Arts, Rocking Horse Records, Brisbane
A A TO T V (CLADINORO), No Show Space, London
Cinétique ! La sculpture en mouvement, l’Espace Monte-Cristo, Fondation Villa Datris, L’Isle-sur-la-Sorgue
Zusammen zeichnen, 201 Cadavre Exquis, Museum in Bellpark, Kriens
The Promise of Ruin(s) Chpt 2 Misfortunes of the turbo-tasking, The Balcony, The Hague
As Long as it Lasts, Galerie Mai 36, Zurich
Singapore Biennale 2022, Natasha is joined by many other names, Singapore
World Weather Network, Art Sonje Center & (TOGETHER)(TOGETHER), Seoul
Leer la imagen. Ver la escritura Geometrías lineales en Polígrafa Obra Gráfica, Centro Cultural Cordón, Spain
Social Photography X, Carriage Trade, New York
No one is bored, CCS Bard Galleries, Annandale-on-Hudson, New York
Music Vol. 2, Hamburger Bahnhof, Berlin
Sculptures By, Galerie Eva Presenhuber, New York
Stars Don’t Stand Still in the Sky: A Tribute to Lawrence Weiner, Regen Projects, Los Angeles
Framing Spaces, einBuch.haus, Berlin
Les Pigeons Du Square: (d’apres et avec Jean Painleve) et Autres Oiseaux, Air de Paris, Romainville
Indexing the Nature: From Near and Far Away, Gallery Baton, Seoul, South Korea
Frame (traced), The Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Project Palace, a centenary, Bozar, Brussels, Belgium
Color as Program, Bundeskunsthalle, Bonn
Stinking Dawn Film Premiere, CPH:Dox Film Festival, Cinemateket Carl, Copenhagen, Denmark
Myths and Dreams, Arkas Art Center, Izmir, Turkey
Group Exhibition, Taro Nasu Gallery, Chiyoda-ku, Tokyo
Broken Music Vol. 2—70 Years of Records and Sound Works by Artists, Hamburger Bahnhof, Berlin
La Pista 500, Agnelli Pinacoteca, Torino
Singapore Biennale 2022, Singapore

2021
A Collection without Boundaries, GAM, Galleria Civica d’Arte Moderna e Contemporanea Turin
Ballard in Albisola: Casa Jorn, Albissola Marina, MAMCO Geneve
LUMA Arles, Luma Foundation, Arles, Frankreich
Before the Cockerel Crows, Fondazione Sandretto Re Rebaudengo, Turin
Arcimboldo Face to Face, Centre Pompidou Metz, Metz, France
x_minimal, Cassina Projects, Milan
Dependent Objects, Museum of Contemporary Art (MCA) Chicago, Near North Side, Chicago
En la casa de Marquès, Esther Schipper, Casa Museo Can Marquès, Palma de Mallorca
Collaborative Group Show between TARO NASU & Esther Schipper, Taro Nasu Gallerym Tokyo
Simon Moretti: Crocodile Cradle, Peer, London
Age of You,Jameel Arts Centre, Al Kabisi, Dubai, United Arab Emirates
Age of You: A Kaleidoscopic Exploration of the Extreme Self, Jameel Arts Centre, Al Kabisi, Dubai

2020
Dependent Objects, Museum of Contemporary Art (MCA), Chicago
Fuck You Be Nice, Air de Paris, Romainville, France
All In One, Galerie Eva Presenhuber, Zurich
Collection 2: Focus on Contemporary Art from the U.S.,France, Germany, and the U.K., National Museum of Art, Osaka (Kokuritsu Kokusai Bijutsukan), Osaka
A Little After The Millennium, Gallery Baton, Seoul, South Korea
Drawing 2020, Gladstone Gallery, New York (21st Street), New York
And the editions @ Permanent: The LSD Portfoli, Galerie Georg Kargl, Vienna
Gesture, Form, Technique V, Taro Nasu Gallery, Chiyoda-ku, Tokyo
PS81E, Esther Schipper, Berlin
Social Photography VIII, Carriage Trade, New York
Backstage: Topology Of Contemporary Art,Kunstverein Hamburg, Hamburg
Who Knows One, curated by Haim Steinbach, Vistamare, Pescara   Objects of Wonder: From Pedestal to Interaction, ARoS, Arhus, Denmark
Thonet Reimagined,Haus der Kunst, Munich
Raid the Icebox Now with Adam Pendleton: The Heart of the Matter, The RISD Museum – University of Rhode Island, Rhode Island

2019
Intimate distance. Masterpieces from the Ishikawa Collection, MO.CO. – Montpellier Contemporain, Hôtel des Collections, Montpellier, France
Shadowplay, Kerlin Gallery, Dublin
After Minimalism, Valletta Contemporary, Valletta, Malta
Fly me to the Moon. The Moon landing: 50 years on, Kunsthaus Zürich
So wie wir sind 1.0, Weserburg – Museum für moderne Kunst, Bremen

2018
Travellers: Stepping into the Unknown, The National Museum of Art, Osaka
The Log-O-Rithmic Slide Rule: A Retrospective, Trix and Robert Haussmann, KW Berlin
Art is work, Krokus Gallery, Bratislava
VICE VERSA: Our Earth is their Moon, our Moon is their Earth, Kunsthalle Praha, Czech Republic
Architecture of Storage, German Center for Architecture Berlin, DAZ, Berlin
1998, Air de Paris
Ghost Nets, OMR, Mexiko City
Soziale Fassaden, MMK, Frankfurt

2017
Publishing as an Artistic Toolbox: 1989–2017, Kunsthalle Wien, Vienna
Parapolitics: Cultural Freedom and the Cold War, Haus der Kulturen der Welt, Berlin
Flatland/Abstractions Narratives, MUDAM, Luxemburg
Schreibtischuhr, curated by John Rajchman, artists selected by Liam Gillick, Galerie Meyer Kainer, Vienna
How to Live Together, Kunsthalle Wien, Vienna
Variable Dimensions, Museum of Art, Architecture and Technology (MAAT), Lisbon
Elbphilharmonie Revisited, Deichtorhallen Hamburg

2016
Dreamlands: Immersive Cinema and Art, 1905-2016, The Whitney Museum, New York
Wall to Wall: Carpets by Artists, Museum of Contemporary Art, Cleveland
Yinchuan Biennale 2016, Museum of Contemporary Art Yinchuan
The Natural Order of Things, Museo Jumex, Mexico City
Expanded Fields, Nymphius Projekte, Berlin
Moving Image Department – 4th Chapter: The Rhetoric of Time, Revisited, National Gallery, Prague
A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art, Nasher
Museum of Art at Duke University, Durham
All Over, Galerie Des Galeries, Paris
A History. Contemporary Art from the Centre of Pompidou, Haus der Kunst, Munich
Still (the) Barbarians, EVA International, Ireland’s Biennial, Limerick
Béton, Kunsthalle Wien Museumsquartier, Vienna

2015
British Art Show 8, Leeds Art Gallery, Leeds
14th Istanbul Biennale, Istanbul
10th Kaunas Biennial, Kaunas
6th Moscow Biennale, Moscow
In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City
Summer Show 2015, Royal Academy of the Arts, London
Space Between, FLAG Art Foundation, New York
Ist Chapter: The Importance of Being a (Moving) Image, Prague National Gallery, Prague
Works on Paper, Galerie Eva Presenhuber, Zürich
Not: The Art of Resistance, Manchester School of Art Holden Gallery, Manchester
Adventures of the black square: Abstract art and society, Whitechapel Gallery, London

2014
International Company of Wagons Lit etc. etc., (with Rachel Harrison), Meyer Kainer, Vienna
Blue Times, Kunsthalle Wien
Confessions of the Imperfect, 1848-1989-Today, Van Abbemuseum, Eindhoven
Solaris Chronicles, Luma Foundation, Arles
Monochrome & Readymades, L’Onde Théâtre Centre d’art, Velizy-Villacoublay
El Hotel Eléctrico, M_kha, Antwerp
Breaking News from the Ether, La Panacée, Centre de Culture Contemporaine, Montpellier
Triple Oh!, Pestorius Sweeney House, Brisbane
Who Shall Deliver Us from Greeks and Romans, Galeri Manâ, Istanbul
The Decade 1984-1999, Centre Pompidou, Metz
9 Artists, MIT List Visual Art Center, Cambridge
Der Leone have sept cabeças, CRAC Alsace, Altkirch
Never Look Back when Leaving, Casey Kaplan, New York
Swiss Pavilion, 14th Architecture Biennale, Venice
Une Histoire, Art, Architecture, Design des années 1980 à nos jours, Centre Pompidou, Paris
A Machinery for Living, Organized by Walead Beshty, Petzel, New York
Deep One Perfect Morning, Kerlin Gallery, Dublin
Institute for Human Activities, Democratic Republic of Congo
Beyond and Between, Leeum Samsung Museum of Art, Seoul
Petals on the Wind, Galerie Micheline Szwajcer, Brussels
Stillpass Collection with Exterior Concourse Diagram, collectorspace, Istanbul
Helicotrema, Viafarini, Milan
55th October Salon, Belgrade
20+, SMAHK, Assen
Szalon, Logan Center, Chicago

2013
Punctum: Fotographie zwischen Inszenierung und Dokumentation, Boltensternraum Baden, Galerie Meyer Kainer
Absolut, White Flag Projects, St. Louis, Mo
Secret Codes (Códigos Secretos), Galerie Luisa Strina, Sao Paulo
Looking Back – The 7th White Columns Annual, selected by Richard Birkett, White Columns, New York
Another Time, Pestorius Sweeney House, Brisbane
Abstract Generation: Now in Print, MoMA, New York
Cross/Roads, Willie Birch and Liam Gillick, Bard CCS
Love in a Cold Climate, S1 Artspace, Sheffield
The Twentieth Century as Never Seen Before, Museo di Santa Giulia, Brescia
Edge Order Rupture, Gallery Lelong, New York
Neoplastic Room. Open Composition, Museum Sztuki, Lodz
Endless Bummer/Still Bummin, Marlborough Chelsea, New York
The Lie and the Powerpoint, with Benoit Maire and Falke Pisano, Shanaynay, Paris
Fired Earth, Herbert Gerisch Stiftung, Neumünster
Poesia: Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst
Kunst Nach 45, Lenbachhaus, Munich
Striped: Gillick, Lefcourt, LeWitt, Pierson, Mitterand + Cramer, Geneve
DLA Piper Series: Constellations, Tate Liverpool
Salle d’attente III, Galerie Laurent Mueller, Paris
Chinese Whispers: A Group Show on the loss of Control, Cura.basement, Rome
7 Studies, Schellmann Furniture, Munich
Sommeraustellung, Esther Schipper, Berlin
Draft Urbanism, The Biennale of the Americas, Denver
Contemporary Artists of the Donegal Diaspora, Regional Cultural Centre, Letterkenny
Secondary Stuctures, Francois Morellet, Olivier Mosset, Liam Gillick, Katja Strunz, Ruzicska, Salzburg
Leichte Verstörung in den Fabriken, tête, Berlin
Unknown Forces, Curated by Sunjung Kim, Tophane-i Amire Gallery, Mimar Sinan University, Istanbul
Abstract Nature, Parkett Austellungs-Raum, Zurich
Reading List: Artist’s Selections from the MoMA Library Collection, New York
Word+Work, Galerie Nachst St. Stephan, Vienna
British British Polish Polish, CCA Warsaw
One foot in the real world, Irish Museum of Modern Art, Dublin
To the Reader, BAK, Utrecht
Nuit Blanche, Paris
9 Artists, Walker Art Center, Minneapolis
CAC Malaga: Una Década, CAC Malaga
Capitalism Catch 22, Impakt Festival Utrecht
Fading Nights, Gerhardsen Gerner, Berlin

2012
Abstract Possible: The Stockholm Synergies, Tensta Konstall, Stockholm
Utopia Gesamtkunstwerk, 21er Haus, Vienna
Schrift Bild, Galerie Meyer Kainer, Vienna
The Poster Show, Galerie Carlier-Gebauer, Berlin
Positionen konzeptueller Kunst, Rüdiger Schottle, Munich
Print/Out, MOMA, New York
Positions on Conceptual Art, Galerie Rüdiger Schottle, Köln
True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth
How to Make-Ideen, Notationen, Materialisierung, Kunsthaus Dresden
Scorpion or Felix, Galerie Eva Presenhuber, Zurich
Read, Look! We promise it’s not dangerous, Emily Harvey Foundation, New York
Wir treffen uns am Abend, Galerie Kamm, Berlin
Soundworks, ICA, London
Urdaibai Art, Gernika
Painting in Space, Luhring Augustine, New York
Looking back for the Future, Kunsthalle, Zurich
Last Day, Cartel, London
To the Moon via the Beach, Les Arenes d’Arles, Arles
Air de Paris Summer show, Art&Rapy, Monaco
Group Exhibtion, Kerlin Gallery
Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg
Skulpturen und Relief aus der Sammlung, Kunsthalle Weisshapt, Ulm
Sense and Sensibility, Euskadi
Various stages, Kunsthaus Dresden
Decade: Contemporary Collecting 2002-2012, Albright Knox, Buffalo
True Stories: Scripted Realities, Te Tuhi Centre fort the Arts, New Zealand
Where is the Power, Fort Worth Contemporary Arts
The Feverish Library, Friedrich Petzel, New York
Busan Biennale, Korea
The Mystery Spot, Fondation d’enterprise Ricard, Paris
True Stories: Scripted Realities, Dunedin Public Art Gallery, New Zealand
Screens, Galerie Meyer Kainer, Vienna

2011
No more presence, The Artist’s Institute, New York
Someone else’s life, Kerlin Gallery, Dublin
Modern British Sculpture, Royal Academy, London
Scaffolding of contrition, LeRoy Neiman Gallery, New York
We are Grammar, Pratt Institute Gallery, New York
A lunatic on bulbs, Giorgio Pace Projects, Chesa Planta
Police!, Galerie Nathalie Seroussi, Paris
Abstract possible, Museo Tamayo, Mexico, D.F
I am still alive, MOMA, New York
Space Oddity, Kunstalle Andratx
Contemporrary Magic:A Tarot Deck art Project, Andy Warhol Museum, Pittsburgh
Sculpture Now, Galerie Eva Presenhuber, Zurich
Out of Storage, Marres, Maastricht
Conversation Pieces, Tate, Liverpool
Als die Wälder auf Reisen gingen, Kunstverein Pforzheim, Göteborg International Biennale for Contemporary Art, Göteborg
In Deed: Certifcates of authenticity in Art, De Vleeshal, Middleburg
In Deed: Certifcates of authenticity in Art, Fondayione Bevilacqua, La Masa
Monodrome, 3rd Athens Biennale
Our Day Will come&Iteration Again, University of Tasmania School of Art in Hobart
The Air we Breathe, SFMOMA, San Francisco
Performa 11, New York
Of Bridges and Borders: Chapter V, From Real to Surreal, Museo de Arte Moderno de Buenos Aires

2010
Animism, MuKHA/Extra City, Antwerp
Interference: Fields for listening and Praxis, The studio at Moderna Museet, Stockholm
Shazam, c/o Gerhardsen Gerner, Berlin
Corporate Everything, Kunsthalle Freiburg
Pictures about Pictures:Discources in Paining, mumok,Vienna
Fantasy&Island, FRAC Crose
Art: Curated by Michael Craig-Martin, Haas and Fuchs, Berlin
Ce quin vient, les Ateliers de Rennes, Biennale d’art contemporain, Rennes
The Promises of the Past, Centre Pompidou, Paris
Don’t Piss on me and tell me that it’s raining, Apex Art, New York
Film Matters, Beton 7, Athens
Kozmik Latte, Borusan Collection, Istanbul
High ideals and crazy dreams, Vera Munro, Hamburg
Post-Office, Artspace, Auckland
Men with Balls: Art oft he 2010 World Cup, Apex Art, New York
Humanity is not a completed project, Villa du Parc, Centre d’art Contemporain, Annemasse
89 KM. CGAC Collection, MARCO, Vigo
The Philosophy of Money, White Pavilion, Lisbon City Museum
Multiple Pleasures, Tanya Bonakdar Gallery, New York
Changing Britain:Documentary Photography from the Arts Council Collection, Portcullis House, London
Unrealised Porential, Cornerhouse, Manchester
Aires de Jeux, Le Quartier, Quimper
Today I made nothing, Elizabeth Dee Gallery, New York
Geometry in 20th Century Art, Museo d’arte Latinamericano de Buenos Aires
Guiding Light/A rehearsal, Performa, New York
8th Shanghai Biennale, Shanghai
Contemporary Magic: A Tarot Deck art Project, National Arts Club, New York
Nature, Gerhardsen Gerner, Berlin
Which whitch is which and /or summertime, White Flag Projects, St.Louis
Without you I am nothing: Art and its Audience, Museum of Contemporary Art, Chicago
01-10, Esther Schipper, Berlin

2009
Saints and Sinners, Rose Art Museum, Brandeis University
Custom Car Commandos, Art in General, New York
Just what are the saying, Jonathan Ferrara Gallery, New Orleans
Forms of Inquiry, Archizoom, Lausanne
The Human Stain, CGAC Santiago de Compostela
Espèces d’Espaces, Yvon Lambert, New York
International Photo Festival Knokke–Heist, Knokke Heist
Beaufort 03, Oostende
Unbuilt Roads, E–flux, New York
A Factory, A Machine, A Body… Archaeology and Memory of Industrial Spaces, Centre d’art La Panera, Lleida
La Recherche, Air de Paris
Because I say so: Sculpture from the Scholl collection, Frost Art Museum, Miami
Lapdogs of the Bourgeoisie, Arnolfini, Bristol
Between Metaphor and Object, IMMA, Dublin
Take the Money and Run, De Appel, Amsterdam
UFO: Grenzgänge zwischen Kunst und Design, NRW–Forum, Dusseldorf
The Obstacle is Tautology, Tulips and Roses, Vilnius
Il Tempo del Postino, Theater Basel, Basel
LEARN TO READ ART: A History of Printed Matter (1976–2009), Badischer Kunstverein, Karlsruhe
Watou 2009, Watou
Top 10 Allegories, Galerie Francesca Pia, Geneve
T–tris, B.P.S. 22, Charleroi
La Suite, Air de Paris
A Factory, A Machine, A Body…, MUCA, Mexico City
We are sun–kissed and Snow Blind, Patrick Seguin, Paris
Gagarin: Artists in their own words, SMAK, Gent
Queensland Art 2009, Pestorious Sweeney House, Brisbane

2008
Images: A spike magazine project, Forde, Geneva
Mixed Emotions, Domus Atrium, Salamanca
Lapdogs of the Bougoisie, Tensta Konsthall, Spanga
MAXImin, A century of abstraction, Fondacion Juan March, Madrid
KW Hommage à Klaus Werner, Galerie für Zeitgenössiche Kunst, Leipzig
The Brisbane Sound, Institute of Modern Art, Brisbane
Cube Passerby, Passerby, New York
Typed, Sadie Coles, London
Fantasy, MuKHA, Antwerp
Book/Shelf, MoMA, New York
This is the gallery and the gallery is many things, Eastside Projects, Birmingham
The Store, Tulips and Roses, Vilnius
Blasted Allegories: Sammlung Ringier, Kunstmuseum, Luzern
The Sydney Biennale, Sydney
Call it what you like, Art Center Silkeborg Bad
No so subtle subtitle, Casey Kaplan, New York
Vincent Award, Stedelijk Museum, Amsterdam
Private/Corporate V: Daimler Art Collection, Haus Huth, Berlin
Mondo e Terra, FRAC Corse
Shapes of Space 2, Màrio Sequeira Gallery, Braga
This is the gallery and the gallery is Many things, Eastside Projects, Birmingham
La Petite Histoire, Kunstraum Niederoesterreich, Vienna
La Vitrina, Gudalajara
100 Artists: Art on the Underground, A Foundation Gallery, London
Moments and Murals, MD72, Berlin
Branding Democracy, New School, New York
Edition Schellmann Furniture, Edition Schellmann, Munich
Accessories to an artwork, Paul Stolper Gallery, London
Theanyspacewhatever, Guggenheim Museum, New York
Getting Even, Lewis Glucksman Gallery, Cork
Made in Munich, Haus der Kunst, Munich
Fifty Percent Solitude, Kerlin Gallery, Dublin

2007
Lapdogs of the Bourgoisie, Platform Garanti, Istanbul
Active Constellation, Brno House of Art
Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan
Los Vinilos, El Basilico, Buenos Aires
Models for Tommorow: Cologne, EU Kunsthalle, Cologne
Pure, Sean Kelly, New York
Airs de Paris, Centre Pompidou, Paris
The Redistribution of the Sensible, Galerie Magnus Muller, Berlin
The Shapes of Space, Guggenheim Museum, New York
Memorial to the Iraq War, ICA, London
If Everybody Had an Ocean, Tate, St. Ives
Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga
How to improve the world, Birmingham Museum and Art Gallery
Perspektive 07, Lenbachhaus, Munich
Intocable (El ideal de la transparencia), The Museum of Contemporary Art, Valladolid
It starts from here, De La Warr Pavillion
Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York
All You Desire, PPOW, New York
Other Men’s Flowers, Venetia Kapernekas Gallery, New York
Franchise, Assen
I can’t live without, The Showroom, London
L’ottava Tavola: An Etymology of Contemporary Codes, Cortona
The Showroom Talks, The Showroom, London
Fourier, Centre d’art mobile, Besançon
If Everybody Had an Ocean, CAPC, Bordeaux
Floating Territories, Various Locations (Venice, Istanbul…)
Projektion, Lentos Kunstmuseum Linz
Franz West: Soufflé, Kunstraum Innsbruck
Tomorrow is Another Day, Artsonje, Seoul
Eva Presenhuber/Jubilee Exhibition, Vnà
If everybody had an ocean, CAPC, Bordeaux
Fusion Now! More light, more power, more people, Rokerby Gallery
Winter Palace, de Aterliers, Amsterdam
Xmas Hysteria, Galerie Emi Fontana, Milan

2006
A person alone in a room with coca–cola coloured walls, Grazer Kunstverein
Cinéma(s), Le Magasin, Grenoble
Fondos da Colección CGAC: Entre o proceso e a forma, CGAC, Santiago de Compostela
Slow Burn, Galerie Edward Mitterand, Geneva
Broken Surface, Galerie Sabine Knust, Munich
100 Artists See God (curated by John Baldessari & Meg Cranston), Cheekwood Museum of Art, Nashville
Minimal Illusions, Galerien der Stadt Esslingen
Under Construction, European Kunshalle, Cologne
Ordnung und Verführung, Haus Konstructiv, Zurich
Bühne des Lebens – Rhetorik des Gefühls, Kunstbau München, Munich
A short history of performance Part 4, Whitechapel Art Gallery, London
Classical Modern, Daimler Chrysler Contemporary, Berlin
Back and Forth, Stiftung Wilhelm Lehmbruck Museum, Duisburg
Supernova, Galerie Jana Koniarka, Trnava
Grey Flags, Sculpture Center, New York
Thankyou for the Music (London Beat), Sprüth Magers Lee, London
Untouchable (The ideal of Transparency), Villa Arson, Nice
Undisciplined: Attese Biennale of Ceramic Arts, Attese
Crytallizations, Andreas Murkurdis Temporary, Munich
Sprung ins Kalte Wasser, Shedhalle, Zurich
Turtle, Chelsea Space, London
Dirty Words, Galeria Pedro Cera, Lisbon
Abstraction Now, Wilhelm–Hack–Museum, Ludwigshafen
Modus, Neue Kunsthalle, St. Gallen
Faster! Bigger! Better!, ZKM, Karlsruhe
Academy, Van Abbemuseum, Eindhoven
Projektion, Kunstmuseum, Luzern
How to improve the World, Hayward Gallery, London
Eye on Europe: Prints, Books and Multiples 1960 to now, MoMA, New York
Klinik: Eine Pathologie der Gesten, Hebbel am Ulfer, Berlin
Saigon: Open City, Saigon
All Hawaii Entrées/Lunar Reggae, IMMA, Dublin
Drapeaux Gris, CAPC, Bordeaux

2005
Exit – Aussteig aus dem Bild, ZKM, Karlsruhe
The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th Century, New York
New Cohabitats, Galerie Ghislane Hussenot, Paris
Goodbye 14th Street, Casey Kaplan, New York
Good Titles for Bad Books, Kevin Bruk, Miami
The Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussels
Group Exhibition, Air de Paris
Anna Sanders Films, Cinema Svetozor, Prague
Supernova, Bunkier Sztuki, Kraków
Icestorm, Kunstverein München, Munich
La La Land, The Project, Dublin
Post Notes, Midway Contemporary Art, Minneapolis
Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo, Turin
100 Artists See God (curated by John Baldessari & Meg Cranston), Contemporary Art Center of Virginia, Virginia Beach
I Really Should *, Lisson Gallery, London
Go Between, Kunstverein Bregenz
Nach Rokytnik, mumok, Vienna
Extreme Abstraction, Albright Knox Art Gallery, Buffalo
100 Artists See God (curated by John Baldessari & Meg Cranston), Albright College Freedman Art Gallery, Reading
General Ideas: Rethinking conceptual art 1987–2005, CCA Wattis, San Francisco
Etc., Le Consortium, Dijon
Passion beyond reason, Wallstreet 1, Berlin
En Route: Via another route, Trans–Siberian Railway
Snow Black, Yvon Lambert, New York
Reception, Büro Friedrich, Berlin
Rundledererwelten, Martin Gropius Bau, Berlin
Ambiance, K21, Dusseldorf
Strictement Confidentiel, CIAP, Ile de Vassiviere
Thankyou for the Music, Sprüth Magers, Munich
Im Bild Sein, Galerie der HGB–Leipzig
The Party, Casey Kaplan, New York
Supernova, Contemporary Art Centre, Vilnius
Minimalism and after, Daimler Chrysler Collection, Berli

 

Awards

2002 Turner Prize Nomination, Tate, London
2008 Vincent Award Nomination, Stedelijk Museum, Amsterdam
1998 Paul Cassirer Kunstpreis, Berlin