Born 1966 in New York
Lives and works in New York
1989 B.A. in Fine Arts, Wesleyan University, Middletown
Upcoming/2024
Konrad Fischer Galerie, Berlin
2022
Sitting in a Room, Astrup Fearnley Museet, Oslo
Caution Kneeling Bus, Regen Projects, Hollywood, Los Angeles
2021
Assorted Varieties, Corbett vs. Dempsey, Wicker Park, Chicago
Scanner Pro Paintings, MEYER*KAINER, Vienna
2020
Drawings, Greene Naftali, New York
2019
Life Hack, Whitney Museum of American Art, New York
Negative Space, ZKM – Zentrum für Kunst und Medien Karlsruhe
2018
House of the Dolphins, Rat Hole Gallery, Tokyo
2017
Prasine, Green Naftali, New York
2016
More News: A Situation, Green Naftali, New York
Depth Jump to Second Box, Kraupa-Tuskany Zeidler, Berlin
Rachel Harrison: Perth Amboy, MoMA, New York
2015
Voyage of the Beagle, Two, The Bass Museum of Art, Miami Beach
Three Young Framers, Regen Projects, Los Angeles
Make Her Mine: Robert Rauschenberg’s Gloria with Rachel Harrison, The Cleveland Museum of Art, Cleveland
2014
International Company of Wagons Lit etc. etc., Liam Gillick and Rachel Harrison, Galerie Meyer Kainer, Vienna
Who Gave You This Number?, curated by Jeffrey Uslip, Institute of Fine Arts, New York University, New York
2013
S.M.A.K., Ghent
Kestnergesellschaft, Hannover
Villeperdue, Galerie Meyer Kainer, Vienna
2012
The Help, Greene Naftali Gallery, New York
2011
Rachel Harrison/ Scott Lyall: Double Yolk, Galerie Christian Nagel, Antwerp
2010
Regen Projects, Los Angeles
2009
Consider the Lobster, Hessel Museum of Art & Center for Curatorial Studies at Bard College, New York (cat.)
Portikus, Frankfurt am Main
2008
Sunny Side Up, Galerie Meyer Kainer, Vienna
Lay of the Land, Le Consortium, Dijon
2007
Voyage of the Beagle, Migros Museum für Gegenwartskunst, Zurich; Kunsthalle Nürnberg, Nürnberg (cat.)
If I Did It, Greene Naftali Gallery, New York
2006
Checking the Tires, Not To Mention the Marble Nude, Galerie Christian Nagel, Cologne
sometimes it snows in april, (Presentation with Michael Krebber), The McAllister Institute, New York
When Hangover Becomes Form, in collaboration with Scot Lyall, The Contemporary Art Gallery, Vancouver; LACE, Los Angeles
2005
Car Stereo Parkway, Transmission Gallery, Glasgow
2004
New Work, San Francisco Museum of Modern Art, San Francisco
Posh Floored as Ali G Tackles Becks, Camden Art Centre, London
Excuse Me?, Arndt & Partner, Berlin
Latka/Latkas, Greene Naftali Gallery, New York
2003
Westward Ho, Bergen Kunsthalle, Gallery No. 5, Bergen
2002
Currents 30: Rachel Harrison, Milwaukee Art Museum, Milwaukee (cat.)
Seven Sculptures, Arndt & Partner, Berlin
Art 33 Basel – Art Statements, Basel Art Fair, Basel
Brides and Bases, Oakville Gallery, Toronto (cat.)
2001
Perth Amboy, Greene Naftali Gallery, New York
1999
Patent Pending: Beveled Rasp Sac, Greene Naftali Gallery, New York
1997
The Look of Dress-Separates, Greene Naftali Gallery, New York
1996
Should home windows or shutters be required to withstand a direct hit from an eight–foot–long two–by–four shot from a cannon at 34 miles an hour, without creating a hole big enough to let through a three–inch sphere?, Arena Gallery, Brooklyn
2023
Drunk vs. Stoned 3, The Ranch, Montauk, New York
Jef Geys’ Gelijkheid, Brüderlichkeit, Liberté, 1986 & Rachel Harrison’s Informasjonsskilt, 2022 , Maxwell Graham / Essex Street, New York
Suncrush, Greene Naftali, New York
Before Tomorrow, Astrup Fearnley Museet, Oslo
Collection 1970s–Present, The Museum of Modern Art, New York
Works on Paper: 100 Years, Amanita, New York
Drawing by Sculptors, Helena Anrather, New York
2022
Jacqueline Humphries, Greene Naftali, New York
Je Veux, Vienna 1975–2022, Galerie Meyer Kainer Kunst, curated by Brigitte Huck, MEYER*KAINER, Vienna
Faking the Real, Kunsthaus Graz, Universalmuseum Joanneum, Graz, Austria
Stars Don’t Stand Still in the Sky: A Tribute to Lawrence Weiner, Regen Projects, Hollywood, Los Angeles
Open Storage: 25 Years of Collecting, curated by Allan Schwartzman, The Warehouse, Dallas
Stage Fright, curated by Rachel Harrison, LGDR, New York
Fata Morgana, curated by Béatrice Gross, Jeu de Paume, Paris
Invitational Exhibition of Visual Arts, curated by Jenny Jaskey, American Academy of Arts and Letters, New York
The Painter’s New Tools, Nahmad Contemporary, Upper East Side, New York
2021
There is Always One Direction, de la Cruz Collection, Miami
How Do We Know the World?, Baltimore Museum of Art, Baltimore
8/XXX, Carlier / Gebauer, Berlin
Camouflage, curated by Zdenek Felix, MEYER*KAINER, Vienna
On the Level or Man who Fell out of Bed, curated by Jannis Varelas, Galerie Krinzinger, Vienna
Inherent Form, Regen Projects, Los Angeles
Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection, CCS Bard, Hessel Museum of Art, Annandale On Hudson, New York
Toes, Knees, Shoulders, Heads + Butts & Guts, Meredith Rosen Gallery, New York
Selections: Gallery Artists, Regen Projects, Los Angeles
Cut a rug a round square, curated by Jessica Stockholder, Officine Grandi Riparazioni di Torino, Turin
From Disco to Disco, Greene Naftali, Chelsea, New York
Pathologically Social, O-Town House, Downtown Los Angeles, Los Angeles
Between the Earth and Sky, Kasmin Galler, Chelsea, New York
2020
Rachel Harrison & Carol Rama, Fergus McCaffrey, St. Barth, Saint Barths
00s. Cranford Collection: the 2000s, MO.CO. Hôtel des Collections, Montpellier
Mask, Klaus von Nichtssagend Gallery, New York
100 Drawings from Now, The Drawing Center, New York
Drawing 2020, Gladstone Gallery, New York (21st Street), New York
Social Photography VIII, Carriage Trade, New York
Material Meanings: Selections from the Constance R. Caplan Collection, Art Institute of Chicago, Chicago
New Images of Man, Blum & Poe, Los Angeles
1. COLOR 2. HOLE and 3. JOKE – Selected works on paper, Galerie Meyer Kainer, Vienna
2019
Five Ways In: Themes from the Collection, Walker Art Center, Minneapolis
Celebration of Our Enemies: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles
Dracula’s Wedding, curated by Charlie Fox, RODEO Gallery, London
Sensation of Space, curated by Dr. Leigh Arnold and Thomas Feulmer, The Warehouse, Dallas
Open House: Elliot Hundley, The Museum of Contemporary Art, Los Angeles
Negative Space, ZKM – Zentrum für Kunst und Medien Karlsruhe
Rachel Harrison, Albert Oehlen, Jimmy Wright, Corbett vs. Dempsey, Chicago
Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings, curated by Axel Heil and Roberto Ohrt, Petzel, New York (cat.)
2018
Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now, curated by Eric Crosby, Carnegie Museum of Art, Pittsburgh
Class Reunion: Works from the Gaby and Wilhelm Schürmann Collection, mumok, Vienna (cat.)
Topologies, curated by Mika Yoshitake, The Warehouse, Dallas (cat.)
Collection Exhibition, Art Institute of Chicago, Chicago
Plato in L.A.: Contemporary Artists’ Vision, curated by Donatien Grau, Getty Villa, Los Angeles (cat.)
The Way Things Go, curated by Victoria Sung and Jadine Collingwood, Walker Art Center
The Moderna Museet Collection, Moderna Museet, Stockholm
Public Service Announcement: Works by Eva Ko.átková and Rachel Harrison, The Metropolitan Museum of Art, New York
Collection Exhibition, Marciano Art Foundation, Los Angeles
Collection Exhibition, Yale University Art Gallery, New Haven, Connecticut
Walking Point, Greene Naftali, New York
Faithless Pictures, curated by Andrea Kroksnes, Nasjonalmuseet, Oslo (cat.)
Jay DeFeo: The Ripple Effect, curated by Franck Gautherot and Seungduk Kim with the participation of The Jay DeFeo Foundation, Le Consortium, Dijon; traveling to Aspen Art Museum, Aspen (cat.)
2017
Collection Exhibition, Cleveland Museum of Art, Cleveland
aroundabout Jack Jaeger, Kunstverein Langenhagen, Langenhagen
Like A Moth To A Flame, Fondazione Sandretto Re Rebaudengo, Turin
Small Sculpture, Corbett vs. Dempsey, Chicago
Nuclear Family, Ibid Projects, Los Angeles
Steps to Aeration, Tanya Leighton Gallery, Berlin
The Times, FLAG Art Foundation, New York
What I Loved. Selected Works From The ’90S, Regen Projects, Los Angeles
Zeitgeist, Mamco – musée d´art moderne et contemporain, Genf
We need to talk… – Artists and the public respond to present conditions in America, Friedrich Petzel Gallery, New York
2016
The Sun Placed in the Abyss, curated by Drew Sawyer, Columbus Museum of Art, Columbus
Manifesta, What People Do for Money: Some Joint Ventures, curated by Francesca Gavin and Christian Jankowksi, Zurich
Prospect, Museum of Contemporary Art San Diego, San Diego
Human Interest: Portraits from the Whitney’s Collection, Whitney Museum of American Art, New York
Receipt of a Magical Agent, Center for Curatorial Studies, Hessel Museum, Bard College, Annadale-on-Hudson
Ordinary Pictures, curated by Eric Crosby, Walker Art Center (cat.)
MashUp: The Birth of Modern Culture, curated by Daina Augaitis, Bruce Glenville and Stephanie Rebick, Vancouver Art Gallery, Vancouver
The Calder Prize 200-2015, Pace London, London
ACTIVE INGEDIENT, Lisa Cooley, New York
Foundation Barbin Presents: Redeux (Sort of), Kai Matsumiya Gallery, New York
2015
Das unbekannte Meisterwerk, Galerie Meyer Kainer, Vienna
Painting 2.0: Expression in the Information Age, curated by Achim Hochdörfer, David Joselit, and Manuela Ammer, Museum Brandhorst, Munich
The Great Mother, curated by Massimiliano Gioni, Palazzo Reale, Milan
You Know I’m No Good, curated by Renny Pritikin, Contemporary Jewish Museum, San Francisco
Under the Clouds, curated by João Ribas, Serralves Museum, Porto
Storylines: Contemporary Art from the Guggenheim Collection, curated by Nancy Spector, Katherine Brinson and Nat Trotman, Guggenheim Museum of American Art, New York
Works on Paper, Greene Naftali Gallery, New York
Gargle/Spit, TBD, New York
America Is Hard to See, Whitney Museum of Art, New York
Zabludowicz Collection: 20 Years, Zabludowicz Collection, London
The Pleasure of the Text, Campoli Presti, London
Sorry, I’ve been trying to teach a peacock how to act, Rachel Uffner Gallery, New York
Moves & Countermoves, Center for Curatorial Studies, Hessel Museum, Bard College, Annandale-on-Hudson
Picasso in Contemporary Art, Contemporary Art and Picasso, Deichtorhallen, Hamburg
Selections From the de la Cruz Collection, Nova Southeastern University Alvin Sherman Library, Ft. Lauderdale
Le Souffleur, Ludwig Forum Aachen, Aachen
Mending Wall, curated by Alexis Rose, The Pit, Glendale
Picture/Thing, curated by Jeffrey Schiff and Sasha Rudensky, Ezra and Cecile Zilkha Gallery, WesleyanCenterfor the Arts, Middletown
Nude Model, curated by Patrick Armstrong, The Green Gallery, Milwaukee
2014
Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts, Matthew Marks Gallery, New York
The Novel That Writes Itself, Greene Naftali Gallery, New York
International Company of Wagons Lit etc. etc., Liam Gillick and Rachel Harrison, Galerie Meyer Kainer, Vienna
Collection Show, Fondation Louis Vuitton, Paris
Pop Departures, curated by Catharina Manchanda, Seattle Art Museum, Seattle
Pure Water: The Most Valuable Resource in the World, LENTOS Kunstmuseum Linz
Cast from Life, Skarstedt Gallery, New York
The Material Image, curated by Debra Singer, Marianne Boesky Gallery, New York
Pierogi XX: Twentieth Anniversary Exhibition, Pierogi 2000, New York
Threshold: Sculpture from the Contemporary Art Collection, Philadelphia Museum of Art, Philadelphia
A Machinery for Living, curated by Walead Beshty, Petzel Gallery, New York
Displayed, curated by Matthew Higgs, Anton Kern Gallery, New York
Rockaway!, curated by Klaus Biesenbach, Rockaway Beach Surf Club, New York
A History. Art, Architecture, Design from the 1980s Until Today., Centre Pompidou, Paris
The Human Factor, curated by Ralph Rugoff, Hayward Gallery, London (cat.)
Chat Jet (Part 2): Sculpture in Reflection, Künstlerhaus Graz, Graz
The Collection on Display, Migros Museum für Gegenwartskunst, Zurich
COPIED, Andrew Roth Gallery, New York
Masterworks on Loan, Jordan Schnitzer Museum of Art, Eugene, Oregon
Tate Collection Displays, Energy and Process, Tate Modern, London
The Moderna Museet Collection, Moderna Museet, Stockholm
Collection Presentation, Stedelijk Museum, Amsterdam
Masterworks on Loan, Jordan Schnitzer Museum of Art, Eugene, Oregon
On Radical Juxtaposition, curated by Stefanie Kleefeld and Valerie Knoll, Halle für Kunst, Luneburg
Post-Picasso, Contemporary Art and Picasso, Deichtorhallen, Hamburg
2013
Blues for Smoke, Whitney Museum of American Art, New York
Film as Sculpture, curated by Elena Filipovic, Wiels Contemporary Art Centre, Brussels
Beautiful Monsters, curated by Douglas Fogle, Cycladic Museum, Athens
NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York
Monsalvat, Bureau, New York Group Show, curated by Haim Steinbach, The Artist’s Institute / Hunter College, New York
2012
Once Removed, Yale University Art Gallery, New Haven, Connecticut
Rumba & Rum Baba, Galerie Laurent Godin, Paris, France, Baltimore Museum of Art, Baltimore
Now Here is also Nowhere: Part I, Henry Art, Seattle
Blues for Smoke, The Museum of Contemporary Art, Los Angeles, travels to Whitney Museum of American Art, New York, February 7, 2013 – April 28, 2013 (cat.)
Migros Meets Museion. 20th Century Remix, Museion Museum of Modern and Contemporary Art, Bolzano
To Be With Art Is All We Ask, Astrup Fearnley Museum, Oslo
Imagination Adrift, Palais de Tokyo, Paris, France, Beyond Imagination, Stedelijk Museum, Amsterdam
Inaugural Exhibition by Gallery Artists, Regen Projects, Los Angeles
Lou Ford, G Gallery, Toronto
Decade: Contemporary Collecting, 2002-2012, Albright-Knox Art Gallery, Buffalo, New York, (cat.)
Buy My Bananas, curated by Julia Trotta, Kate Werble Gallery, New York
Painting In Space, curated by Tom Eccles and Johanna Burton, Luhring Augustine Gallery, New York
Zoologie, curated by Marie Fraser & François LeTourneux, Musée d’art contemporain de Montréal, Montreal (cat.)
The Institute of Contemporary Art Collection Show, The Institute of Contemporary Art in Boston, Boston
Matters of Fact, curated by Tom Eccles, Suzy M. Halajian, Marieluise Hessel, Nathan Lee, Alicia Ritson, and Kelly Taxter, Center for Curatorial Studies, Hessel Museum, Bard College, Annandale-on-Hudson
Utopia/Dystopia: Constructed with Photography, Museum of Fine Arts, Houston
2012 Invitational Exhibition of Visual Artists, American Academy of Arts & Letters, curated by Virginia Dajani, March
Friends & Family, curated by Kenny Schacter, ROVE Gallery, London, February (cat.)
Look Now: Modern and Contemporary Art from Private Collections, Montclair Art Museum, Montclair
2011
Universe in Universe, Astrup Fearnley Museum collection at the Sao Paulo Biennial, Sao Paulo
Facing the Abyss, Witzenhausen Gallery, New York
Repossessed, Western Bridge, Seattle, Washington
Distant Star: An Exhibition organized arount the writings of Roberto Bolaño, Regen Projects, Los Angeles
2011 Bridgehampton Biennial, curated by Bob Nickas, Martos Gallery, Bridgehampton, New York
Will Live, We Will See, curated by Pavel S. Pyś, Zabludowicz Collection, (cat.)
14 & 15, curated by David Muenzer, The Lipstick Building, New York
Exposition d’Ouverture, Le Consortium, Dijon
Absentee Landlord, curated by John Waters, Walker Art Center, Minneapolis
Schnitte im Raum, Skulpturale Collagen, Museum Morsbroich, Leverkusen
Time Again, curated by Fionn Meade, ScuptureCenter, Long Island City, New York
That’s the way we do it, curated by Yilmaz Dziewior, Kunsthaus Bregenz, Bregenz
Human Nature: Contemporary Art from the Collection, LACMA, Los Angeles
Entertainment, Greene Naftali Gallery, New York
Notations/Everyday Disturbances, Philadelphia Museum of Art, Philadelphia
The Spectacular of Vernacular, curated by Darsie Alexander, Walker Art Center, Minneapolis; traveled to Contemporary Arts Museum Houston; Montclair Art Museum, Montclair, Ackland Art Museum, Chapel Hill
Transformed Objects: with Works by John Bock, Jürgen Drescher, Rachel Harrison, Alicja Kwade, Thomas Rentmeister, Margret Wibmer, curated by Zdenek Felix and Ludwig Seyfarth, Kai 10, Raum für Kunst / Arthena Foundation, Düsseldorf
Modern British Sculpture, Royal Academy of Arts, London, (cat.)
New York to London and Back, organized by Miguel Abreu, Robin Mackay, Tobias Huber and Martine d’Anglejan, in collaboration with Sutton Lane, homas Dane Gallery, London
2010
How Soon Now, Rubell Family Collection, Miami
Ordinary Madness, Carnegie Museum of Art, Pittsburgh
The Last Newspaper, curated by Richard Flood, New Museum, New York
The Original Copy: Photograph of Sculpture, 1839 to Today, curated by Roxana Marcoci, MOMA, New York
Contemporary Art from the Collection, curated by Kathy Halbreich, Museum of Modern Art, New York
At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, CCs Bard Hessel Museum of Art, Annandale-on-Hudson, New York
Blind Spot Lab & Exhibition – Issue 41, Wild Project, New York
Pictures by Women: A History of Modern Photography, Museum of Modern Art, New York
Nachleben, curated by Fionn Meade and Lucy Raven, Wyoming Building, Goethe-Institut, New York
Sorry we’re Closed, curated by sebastien Janssen, Art Brussels
Haunted: Contemporary Photography/Video/Performance, Solomon R., Guggenheim Museum, Guggenheim Museum Bilbao (cat.)
Abstract Resistance, curated by Yasmil Raymond, Walker Art Center, Minneapolis
Don’t Look Back in Anger, Kenny Schachter/Rove, London
2009
Altermodern: Tate Triennial 2009, curated by Nicholas Bourriaud, Tate Britain, London (cat.)
Beg Borrow and Steal, The Rubell Family Collection, Miami (cat.)
A Few Frames: Photography and Contact Sheet, curated by Elisabeth Sussman and Tina Kukielski, Whitney Museum of American Art, New York
For the blind man in the dark room looking fort he black cat that isn’t there, curated by Anthony Hubermann, Contemporary Art Museum, St. Louis; Institute of Contemporary Arts, London; Museum of Contemporary Art, Detroit; de Appel Arts Centre Amsterdam; Culturgest, Lisbon (cat.)
Precarious Form I, curator Veit Loers, Galerie Meyer Kainer, Vienna
The Secret Life of Objects, curated by John Rasmussen, Midway Contemporary Art, Minneapolis
Collecting History: Highlighting Recent Acquisitions, curated by Ann Goldstein and Bennet Simpson, Museum of Contemporary Art, Los Angeles
Making Worlds, 53rd Venice Biennale, curated by Daniel Birnbaum, Italian Pavilion, Venice
Mapping the Studio: Artists from the Francois Pinault Collection, curated by Francesco Bonami and Alison Gingeras, Plazzo Grassi, Venice
Abstract America: New Painting and Sculpture, Saatchi Gallery, London
Practice, Practice, Practice, curated by Michael Smith and Jay Sanders, Lora Reynolds Gallery, Austin
Compass in Hand: Selections from the Judith Rothschild Foundation contemporary Drawings Collection, curated by Christian Rattemeyer and Cornelia H. Butler, MoMA, New York (cat.)
Lichtzwang, Dvir Gallery, Tel Aviv
Phot(o)bjects, curated by Bob Nickas, Presentation House Gallery, Vancouver
N’importe Quoi, curated by Vincent Pecoil and olivier Vadrot, Musée d’art contemporain de Lyon
Altermodern, Tate Triennial, curated by Nicholas Bourriaud, Tate Britain, London
2008
Works on Paper by Gallery Artists and Ricci Albenda, Greene Naftali, New York
Front Room: Dieter Roth and Rachel Harrison, Balitmore Museum of Art, Baltimore
You Can Go Your Own Way, curated by Claudia Altman Siegel, Renwick Gallery, New York
Standard Size, curated by Joao Ribas, Andrew Kreps Gallery, New York
Paul Thek in the Context of Today’s Contemporary Art, ZKM, Karlsruhe
Second Thoughts, Hessel Museum of Art & Center for Curatorial Studies at Bard College, New York
Whitney Biennial, Whitney Museum of American Art, New York
The Alliance, doART, Seoul, and Beijing
2007
Eyes Wide Open – New to the Stedelijk & The Monique Zajfen Collection, Stedelijk Museum, Amsterdam
Perspectives Series, Contemporary Arts Museum Houston
Pop Art Is, Gagosian Gallery, London
Insubstantial Pageant Faded, Western Bridge, Seattle
XXL – Size Does Matter, Sommer Contemporary Art, Tel Aviv
Paul Thek in the Context of Today’s Contemporary Art, ZKM, Karlsruhe; Sammlung Falckenberg, Hamburg
Fit to Print, Gagosian Gallery, New York
Unmonumental: Falling To Pieces in the 21st Century, New Museum, New York (cat.)
Multiplex: Directions in Art, 1970 to Now, MoMA – Museum of Modern Art, New York
The Hamsterwheel, conceived by Franz West Studio, Arsenale di Venezia, Venice; Festival de Printemps de Septembre, Toulouse; Centre d’Art Santa Mónica, Barcelona; Konsthall Malmo
Still Life and Kicking, curated by Dodie Kazanjian, Paula Cooper Gallery, New York
For the People of Paris, Sutton Lane Gallery, Paris (cat.)
2006
The Uncertainty of Objects and Ideas: Recent Sculpture, curated by Anne Ellegood, Hirshhorn Museum and Sculpture Garden, Washington (cat.)
Werner Herzog, Blum and Poe, Los Angeles
Shiny, curated by Helen Molesworth, The Wexner Center for the Arts, Columbus
The Swan Is Very Peaceful, Richard Telles Fine Art, Los Angeles
Pose and Sculpture, curated by Daniel Baumann, Casey Kaplan Gallery, New York (cat.)
Of Mice and Men, The 4th Berlin Biennale, curated by Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, Kunst–Werke Institute for Contemporary Art, Berlin (cat.)
Dark, curated by Jan Grosfeld and Rein Wolfs, Museum Boijmans Van Beuningen, Rotterdam (cat.)
Motore Immobile, curated by Carol Greene and Jay Sanders, Greene Naftali Gallery, New York
Ridykeulous, Participant Inc, New York
Survivor, curated by David Rimanelli, Bortolami Dayan, New York
Daisychain, curated by Bruce Haines, MOT Gallery, London
2005
Make It Now: New Sculpture in New York, curated by Mary Ceruti, Anthony Huberman and Franklin Sirmans, Sculpture Center, Long Island City (cat.)
Carnegie International, curated by Laura Hoptman, Carnegie Museum of Art, Pittsburgh (cat.)
When Humor Becomes Painful, curated by Heike Munder and Felicity Lunn, Migros Museum für Gegenwartskunst, Zurich (cat.)
Fünfmalskulptur, curated by Carina Plath, Westfalischer Kunstverein, Münster
Ordering the Ordinary, curated by David Thorp, Timothy Taylor Gallery, London
Sculpture New Spirit, Galerie Nathalie Obadia, Paris
The Jeweleigha Set, Greene Naftali Gallery, New York
Drunk Vs. Stoned 2, Gavin Brown’s Enterprise, New York
2004
Building the Collection: New and Future Acquisitions, Art Gallery of Ontario, Ontario
Last One On is a Soft Jimmy, curated by Kelley Walker, Paula Cooper Gallery, New York
Hysterical, curated by Michele Maccarone, Galerie Dennis Kimmerich, Düsseldorf
Slouching Towards Bethlehem, curated by Jeffrey Uslip, The Project, New York
Patterson Beckwith: Home, American Fine Arts, Co., New York
American Idyll, Greene Naftali Gallery, New York
Speaking with Hands: Photographs from The Buhl Collection, Guggenheim Museum, New York (cat.)
Reordering Reality: Collecting Contemporary Art, curated by Annegreth T. Nill, Columbus Museum of Art, Columbus
Collage, Bloomberg SPACE, London
Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn (cat.)
Drunk vs. Stoned, curated by Corinna Durland, General Store @ Gavin Brown’s Passerby, New York
2003
The Structure of Survival, curated by Carlos Basualdo, Arsenale di Venezia, 50th Venice Biennale, Venice (cat.)
Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith and Rebecca Warren, curated by Jeffrey Peabody, Matthew Marks Gallery, New York
The Paper Sculpture Show, organized by Cabinet magazine, iCI, and SculptureCenter; SculptureCenter, Long Island City, New York, and 20 other locations, 2003-2007
The Alumni Show, curated Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown
Brighton Photo Biennial, curated by Jeremy Millar, University of Brighton, Brighton
K48 Teenage Rebel – The Bedroom Show, curated by Scott Hug, John Connelly Presents, New York
2002
Whitney Biennial, curated by Lawrence Rinder, Whitney Museum of American Art, New York (cat.)
Stories, curated by Stephanie Rosenthal, Haus der Kunst, Munich
Building Structures, organized by Klaus Biesenbach, P.S. 1 Contemporary Art Center, Long Island City
Pictures, Greene Naftali Gallery, New York
Youngstars, organized by Horst Köhn, Krinzinger Projekte, Vienna
2001
Off the Wall, curated by Greg Sandoval and Sam Gordon, Gallery 400 University of Illinois, Chicago
Spiritual America, Audiello Fine Art, Inc, New York
Group Show (Spring 2001), curated by Michele Maccarone & Chivas Clem, The Fifth International, New York
2000
Full Serve: Celebrating Ten Years of Shows, curated by Kenny Schachter, presented by Kenny Schachter/Rove, New York
The Armchair Project, curated by DeClan Clarke & Paul McDevitt, Cinch, London
Superpredators, curated by Jose Freire, C.R.P., Brooklyn
Dusk, curated by David Hunt, I–20 Gallery, New York
New York Projects, curated by Luke Dowd, Delfina Project Space, London
Walker Evans & Company, curated by Peter Galassi, Museum of Modern Art, New York; J. Paul Getty Museum, Los Angeles (cat.)
Rapture, curated by Janet Phelps, 529 W. 20th 8th Fl., New York
Trailer, Greene Naftali Gallery, New York
Photography about Photography, curated by Liz Deschenes, Andrew Kreps Gallery, New York
Greater New York: New Art in New York Now, curated by Klaus Biesenbach, Carolyn Christov–Bakargiev and Alana Heiss, P.S. 1 Contemporary Art Center, Long Island City (cat.)
Photasm, curated by Peter Dudek, Arts Strium Gallery, Union College, Schenectady; Hunter College, New York
1999
DOPE. An XXX-Mas Show, American Fine Arts, Co., New York
I’m Not Here: Constructing Identity at the Turn of the Century, curated by Jonathan Van Dyke and Sean Mellyn, Susquehanna Art Museum, Harrisburg
Sleeping Waters, Galerie Chantal Crousel, Paris
Still Life, curated by Helen Molesworth, State University of New York College at Old Westbury, Old Westbury
GIRLSCHOOL, curated by Catherine Morris and Maureen Mahoney, Brenau University Galleries, Gainesville
What Big Is, Geoffrey Young Gallery, Barrington
New York Neither/Nor, curated by Bill Arning, Grand Arts, Kansas City
monochrome, Patrick Callery Gallery, New York
Free Coke, Greene Naftali Gallery, New York
Answer yes, no, or don’t know; Part II: Layers, curated by Ricci Albenda, Andrew Kreps Gallery, New York
Hypervision, curated by Caitlin Masley, Elizabeth Cherry Contemporary Art, Tuscon
1998
New Photography 14, curated by Darsie Alexander, Museum of Modern Art, New York
Summer Group Show, curated by Dee Mitchell, Turner & Runyon, Dallas
TXInstalltions/Projects, P.S. 1 Contemporary Art Center, Long Island City
Super Freaks: Post Pop & The New Generation; Part I: Trash, Greene Naftali Gallery, New York
Lo-Fi Baroque, curated by Michael Sarff and Carol Stakenas, Thread Waxing Space, New York
Science, Feature Inc., New York
1997
Funny Pictures, Ten in One Gallery, Chicago
The New God, curated by John Connelly, Andrea Rosen Gallery, New York
24 Seven, curated by Alexander Berscheid, Galerie Klaus Peter Goebel, Stuttgart
Paper Trail, curated by Gregory Volk and Sabine Russ, Pierogi 2000, Brooklyn
Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn
Summer of Love, Fotouhi Cramer Gallery, New York
Prosthetic Garden, Daniel Silverstein Gallery, New York
The Experimenters, curated by Kenny Schachter, Lombard-Freid Fine Arts, New York
Normotic, curated by David Humphrey, 1 Great Jones, New York
Anne Chu, Rachel Harrison, Donald Moffett, Jasmin Sian, Marc Foxx, Los Angeles
1996
Rachel Harrison and Michael Lazarus, Feature Inc., New York
Taking Stock, curated by Kenny Schachter, The Exchange, 25 Broad Street, New York
Space, Mind, Place, curated by John Connelly and Michelle Reyes, Andrea Rosen Gallery, New York
DISSOCIATIONISM, Four Walls, Brooklyn
Shit, Baron Boisante Gallery, New York
Summer Exhibition, Greene Naftali Gallery, New York
Sex, Drugs And Explosives, curated by Kenny Schachter, New London Art Forms, London
Sculpture Incorporating Photography, Feature Inc., New York
Post Hoc, curated by Alison Greene, Stark Gallery, New York
Facing The Millenium: The Song Remains The Same, curated by Kenny Schachter, Arlington Museum of Art, Arlington
Flamingo East, curated by Kenny Schachter, Flamingo East 219 2nd Avenue, New York
1995
Summer Exhibition, Paolo Baldacci Gallery, New York
Oy!, curated by Kenny Schachter, 121 Greene Street, New York
Either/Or, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York
High Anxiety, curated by Kenny Schachter, 66 Crosby Street, New York
Looky Loo, curated by Kenny Schachter, Sculpture Center, New York
Dark Room, Stark Gallery, New York
Smells Like Vinyl, Roger Merians Gallery, New York
1994
Tight, Tannery Gallery, London; Liverpool
UnSuccess Story, curated by Kenny Schachter, 479 Broome Street, New York
Women at Work, curated by Jill Brienza and Gretel Capriles, The Roger Smith Gallery, New York
I Could Do That, curated by Kenny Schachter, 109 Spring Street, New York
Dirty, curated by Carol Greene, John Good Gallery, New York
Group Show, Galerie Elizabeth Valleix, Paris
Pre-Existing Condition, The Puffin Room, New York
1993
Poverty Pop: The Aesthetics of Necessity, curated by Jeanette Ingberman and Papo Colo, Exit Art, New York
Shooting Blanks, curated by Kenny Schachter, 81 Greene Street, New York
For Sale, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York
Resurrections, The William Benton Museum of Art, University of Connecticut at Storrs, Storrs
1920: The Subtlety of Subversion, The Continuity of Intervention, curated by Jeanette Ingberman and Papo Colo Exit Art, New York
Four Walls Benefit, David Zwirner Gallery, New York
I Was Born Like This, curated by Kenny Schachter, 238 Mulberry Street, New York
High, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York
1992
Simply Made in America, curated by Barry Rosenberg, Aldrich Museum of Contemporary Art, Ridgefield; Contemporary Arts Center, Cincinnati; Butler Institute of American Art, Youngston; Palm Beach Community College of Art, Palm Beach; Delaware Art Museum, Wilmington
Morality Café, curated by Kenny Schachter, Postmasters Gallery, New York
The Lesbian Museum: Ten Thousand Years of Penius Envy, Franklin Furnace, New York
7 Rooms/7 Shows, curated by Kenny Schachter, P.S. 1 Contemporary Art Center, Long Island City
1991
Unlearning, curated by Kenny Schachter, 142 Greene Street, New York Ego Show, Minor Injury, Brooklyn
Open Bar, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York
The Neurotic Art Show, Four Walls Gallery, Brooklyn
1990
Collections, Brand Name Damages, 201 Bedford Ave., Brooklyn
Habitat, AMMO Artist’s Exhibition Space, Brooklyn
The Rights of Spring, curated by Rachel Stevens, Epoche Gallery, Brooklyn